Songs for a New World Auditions

Altona City Theatre is proud to announce auditions for our upcoming October production of Songs for a New World, which will be performed over two weeks from Saturday October 10th to Sunday October 18th 2026

Altona City Theatre’s production of Songs for a New World will be presented as written as a four-hander song cycle, capturing those pivotal, defining moments in life when an individual faces a threshold and an unknown future. It is a theatrical journey through the choices, reflections, and emotional highs and lows of human experience, brought to life with a minimalist aesthetic featuring a four-person ensemble and an on-stage band.

Synopsis:

Act One
Lights come up on a single woman. Another woman and two men soon join her. Their hopes and dreams, their fears and failures conjure up images of explorers setting out to find new lands (“Opening: The New World”).
The first snapshot of the American experience brings us onboard a sixteenth century ship as the passengers plead to the Lord to give them the strength to survive the journey. Just as their struggle becomes too much to bear, the passengers find renewed hope of a better life (“On the Deck of a Spanish Sailing Ship, 1492”).
We next see a woman standing on the window ledge of her New York penthouse, carrying on with grievances about her husband, Murray. As a crowd gathers below, she threatens to step off of the ledge and take her own life. She is left with nothing but the fear of taking one step to a new and genuinely better life (“Just One Step”).
A young, adventurous mother and wife appears. She is seemingly ready for all of life’s challenges and questions the fears of her children, parents and husband. We see that her strength is perhaps the very thing that is keeping a wall between her and the people she loves (“I’m Not Afraid of Anything”).
We move from expectations of love to expectations of money. Two men wrestle with the dream of rewards that hard work should promise. Wealth flows easily for some, but others aren’t as lucky (“The River Won’t Flow”).
Elsewhere, a woman who married very well looks back on the path that she chose. She knew wonderful men who were willing to give her laughter, love, companionship, adventure and passion, but she chose money over everything else. She now regrets the misguided priorities of her youth (“Stars and the Moon”).
In a different type of frustrating relationship, a man goes through many ups and downs with the woman that he loves. She lies, and he heads out the door… but he finds himself coming back to her. Although manipulative, her tears are a window to the woman with whom he fell in love (“She Cries”).
Meanwhile, in the Bronx, a determined young man dreams of life as a famous basketball star. His sadness, anger and passion have ignited an internal fire to realize the fantasy of his own new world (“The Steam Train”).

Act Two
Act Two opens with a man struggling to reconcile his father’s failure in a risky business venture with his education and the commitment that he’s made to his fiancée, Amy. His continual fear of failure makes him unable to choose what he truly wants (“The World Was Dancing”).
Mrs. Claus appears. It seems that being married to Santa Claus proves to be too much or, in her case, not enough. She loves, wants and needs him, but she just can’t take another Christmas alone. With a flourish and a few choice words, she slams the door on their relationship for good (“Surabaya-Santa”).
Next, a woman who is a bit less ferocious than Mrs. Claus looks to her faith to lift her up while contemplating her life and soul. She feels blessed and assured that her life will have meaning in the grand design of the world (“Christmas Lullaby”), but faith is shaken when we meet a desperate man in a prison cell, crying foul of his accused sins. He does not understand why he is there and questions the good he was trying to do (“King of the World”).
A separated couple appears on stage. Now, as they are reunited, they look back and understand that they ran away out of a fear of love. Although the adventures were thrilling, they realize that they are home with each other at last (“I’d Give It All for You”).
The mother of an American Revolutionary soldier anxiously awaits the end of the brutal war with no other way to manage her worry and frustration than to sew a flag (“The Flagmaker, 1775”). Echoes of the flagmaker linger as a young man hears the call of angels who will accompany him to where he belongs (“Flying Home”).
In the finale, we discover that our hopes and dreams will continue to help light the way to a new world (“Hear My Song”).

Director’s Note:

We are casting a powerhouse ensemble of four performers (two women, two men) who are ready to engage in a collaborative and actor-driven process.
The Approach: We are not looking for specific ages. Instead, we want people who can tell stories through lived experience or learned perspective, bringing an authentic human truth into the room.
The Ensemble Dynamic: This production treats the company as an interconnected architectural presence, where the cast serves as active participants and witnesses shaping the emotional landscape together.
— Jonno Sebastian, Director

Production Team

Director: Jonno Sebastian
Musical Director (Band): Zac Jones
Production Manager: Mark Crick

Audition Dates:
Monday 24^th August from 7pm – 10pm (Altona Theatre)
Thursday 27^th August from 8:15pm – 10pm (MDX Studios)
Sunday 30^th August from 10am – 12pm (MDX Studios)

Please aim to arrive at least 15 minutes before the scheduled audition time for registration and preparation.

Callbacks (if required): Sunday 30^th August from 1pm

Auditions will be held at:
Altona Theatre: 115 Civic Parade, Altona. Please enter via the front doors.
MDX Studios: Unit 2, 1 Akuna Drive, Williamstown.

Our first rehearsal will be held on Monday 31^st August.
We anticipate a quick and dynamic rehearsal period. Given the style of the piece, the rehearsal schedule will be worked with and according to availabilities as determined on your audition form and with you at our first rehearsal.

Rehearsals will be held at either the Altona Theatre or the fACTory – Altona City Theatre Rehearsal Space.

Production week will be 4^th October – 9^th October 2026
Performances will be on the weekends from 10^th – 18^th October 2026 at the Altona Theatre

Audition Requirements

Age:

Auditionees must be 18 years of age or over at the time of your audition.

Vocal:

Please prepare two songs contrasting in story type, exploring themes such as choice, high love, angst, or pivotal life moments.
Only sheet music may be used and all sheet music must be in the correct key and clearly marked in a folder for our accompanist. Your songs will not be heard in full so please prepare approximately a 45 second cut of each song.
Please note that a’capella singing or backing tracks will not be accepted. Songs from the show are not permitted.
Auditionees may be asked to sing some scales and/or vocal exercises depending on the requirements of the role/s they are auditioning for.

Headshot:

We’ll take a lo-fi headshot photo at your audition. Alternatively, you’re welcome to bring your own printed headshot (non-returnable).

Costs:

If you are successfully cast in the show, you’ll need to become a member of the company ($25 adult / $15 concession) and pay a show fee of $50 to contribute to costs of the show.

Lastly:

Don’t be nervous – we will try and make the process as enjoyable as possible.

Altona City Theatre promotes an inclusive environment. We welcome all ethnicities, gender identities, ages, and sizes, as well as performers with disabilities, to audition for our productions.

What We Are Looking For

We are casting a powerhouse ensemble of four performers (two women, two men) who are ready to engage in a collaborative and actor-driven process.

• The Approach: We are not looking for specific ages. Instead, we want people who can tell stories through lived experience or learned perspective, bringing an authentic human truth into the room.
• The Ensemble Dynamic: This production treats the company as an interconnected architectural presence, where the cast serves as active participants and witnesses shaping the emotional landscape together.

Character & Vocal Ranges

Man 1
Vocal Range Top: F5
Vocal Range Bottom: D3

Man 2
Vocal Range Top: C5
Vocal Range Bottom: F#2

Woman 1
Vocal Range Top: A5
Vocal Range Bottom: F#3

Woman 2
Vocal Range Top: F5
Vocal Range Bottom: F3